Lawsuit: Mariah Carey Sued Over “All I Want For Christmas Is You” (again)

Mariah Carey faces allegations from songwriters Andy Stone and Troy Powers, who accuse the pop icon of copyright infringement over her ubiquitous holiday anthem, “All I Want For Christmas Is You.” Filed in June 2023, Stone and Powers are seeking damages of $20 million, claiming that Carey’s 1994 hit bears striking similarities to their lesser-known song of the same title, released five years earlier. This lawsuit, spotlighting the complexities of copyright law in the music industry, challenges the originality of one of the holiday’s most enduring melodies, emphasizing its significance in ongoing debates over copyright and creativity.

The Songs in Question: A Tale of Two “All I Want For Christmas Is You”

At the heart of this legal battle is the parallel existence of two songs entitled “All I Want For Christmas Is You.” Mariah Carey’s version, co-written with Walter Afanasieff, became an instant holiday classic upon its release in 1994, celebrated for its joyful melody and festive spirit. Conversely, Andy Stone and Troy Powers’ track, bearing the same title, debuted in 1989 without achieving comparable fame. The timeline leading to the lawsuit reveals decades of divergence in the songs’ reception and impact, culminating in the recent legal challenge that questions the boundaries of musical originality and copyright.

Legal Allegations Unveiled: The Case Against Carey

The lawsuit initiated by Andy Stone and Troy Powers against Mariah Carey presents a formidable legal challenge, accusing the pop superstar of copying their earlier version of “All I Want For Christmas Is You.” They argue that Carey, or her associates, had ample opportunity to hear their 1989 composition, which was accessible in music industry circles. They assert that Carey’s 1994 hit song unlawfully borrows both melodic elements and stylistic nuances from their work, a claim that puts the integrity of one of the most iconic Christmas songs under scrutiny. The plaintiffs are demanding $20 million in damages, emphasizing the significant impact and the perceived value of the alleged infringement.

Carey’s Countermove: A Defense of Originality

Mariah Carey’s response to the lawsuit has been to firmly deny the allegations of song theft, emphasizing the originality of her work. Her legal team has forcefully articulated a defense, arguing for the dismissal of the case on grounds that the claims lack merit. They contend that Carey’s “All I Want For Christmas Is You” was independently created, without copying any pre-existing work. This  defense is supported by detailed comparisons of the musical arrangements and lyrical content, which demonstrate distinct differences, underscoring the challenges in proving copyright infringement within the music industry.

Dissecting Copyright Infringement Claims

The core of the lawsuit rests on copyright infringement claims that require a detailed examination of both songs’ melodies, lyrics, and overall composition. Copyright law protects original works of authorship, making the plaintiffs’ challenge to prove that Mariah Carey’s song unlawfully copied substantial, protected elements of their work. This legal battle hinges on demonstrating that the similarities between the two songs are the result of direct copying, a high bar in copyright litigation, requiring proof of “access” and “substantial similarity”.

Shaping the Future of Music Copyrights

The legal battle involving Mariah Carey’s iconic Christmas song could have far-reaching implications for copyright law within the music industry. By pushing the boundaries of copyright infringement, this case joins a series of cases that have tested the limits of originality and copying in music creation. Similar cases, such as the Blurred Lines lawsuit and the Led Zeppelin “Stairway to Heaven” case, have set precedents that scrutinize the fine line between inspiration and infringement. The outcome of Carey’s case could further define the legal landscape, influencing how future copyright disputes are adjudicated and prompting songwriters and artists to adopt more rigorous measures, tracking, documenting and justifying their creative choices to avoid potential legal challenges.

Reflections: The Resonance of Legal Harmony

This legal dispute against Mariah Carey encapsulates critical issues at the heart of copyright law as it relates to music. The allegations by Andy Stone and Troy Powers have brought to light the complexities of protecting musical compositions while fostering creativity. As this case unfolds, its implications extend beyond the courtroom, potentially affecting Carey’s illustrious legacy. Regardless of the outcome, the lawsuit serves as a pivotal moment. The resolution of this case could resonate through the annals of music history, influencing how artists navigate the delicate balance between inspiration and originality.

The lawsuit filed by Andy Stone and Troy Powers against Mariah Carey and others is progressing in the U.S. District Court for the Central District of California. The plaintiffs have submitted a first amended complaint, and the defendants have until May 31 to respond.

Mariah Carey and related parties are represented by Benjamin S. Akley and Shamar Toms-Anthony of Pryor Cashman LLP.

Andy Stone and Troy Powers are represented by Gerard P. Fox and Cirstan Fitch of Gerard Fox Law P.C.

The case is Andy Stone et al v. Mariah Carey et al, case no. 2:2023cv09216 in the U.S. District Court for the Central District of California.

* Lowe & Associates (“The Firm”) is a boutique entertainment and business law firm located in Beverly Hills, California. The firm has extensive experience handling cases involving trademark law, having provided top-quality legal services to its clients since 1991. The Firm is recognized for its many achievements, including successfully litigating many high-profile cases.


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